Interesting Old Faces and Bright Sci-Fi Lights
The past month or so I’ve struggled with my writing. I wouldn’t describe it as a block. More like the creative part of me was grinding to a halt and I couldn’t find inspiration. About a week ago I honestly thought this blog had reached its end. Maybe it was the endless winter or the soul-destroying flat hunt I’m currently involved in. I’ve been reading books at a slower pace, gone into a trance when I’ve picked up my laptop to write, left my camera at home when I should be out taking photos.
Today I decided to give myself an art overdose in the hope of being wowed and excited by something. First The Light Show at The Hayward Gallery. If you happen to be an art loving Sci-Fi fan this is an absolute must. Leo Villareal’s Cylinder II made me feel like I was stood amongst a million stars, Ivan Navarro’s Reality Show was like the bottom of Doctor Who’s Tardis had fallen out spiralling into a vortex and Olafur’s Eliasson’s Model for a timeless garden felt like I had found water on mars (strobing unreal droplets hopping and falling in a pitch black room).
A short stroll across our dirty old river took me from a futuristic experience back to the 1920’s. The National Portrait Gallery is currently showing Man Ray Portraits. I was trying to commit every photo and moment to memory. From the seventeen year-old boy freaking out at the sight of what I can only describe as a healthy bush of pubic hair on Meret Oppenheim (“that’s just weird!!”). To moments when I found myself welling up at photos of his lovers (Kiki and Lee Miller) and wife Juliet. The one constant thought in my head throughout the whole exhibition was “I think we have less interesting faces now”, which is a testament to Man Ray but perhaps doesn’t say much about my fellow Londoners. I include myself in this of course, especially standing in front of his portrait of Virginia Woolf. I have a terribly dull face in comparison.
I’ll end this post with Man Ray’s words of encouragement to his niece Naomi Savage when she started her own creative journey. It struck the right chord today.
“You don’t need a huge audience. You only need five or six people who care, and there to encourage you… Don’t worry about idealism and practicality… Try to get paid for what you do, and don’t worry if you don’t. Just keep on working. You’ll make up for it time.”